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Furude Hanyū

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Furude Hanyū
古手 羽入
Hanyuu blushing.jpg
Information
Alternate Name Hainiryūn Ieasomūru Jieda, ハイ=リューン・イェアソムール・ジェダ
Nickname Oyashiro-sama

"The promising debutante"

Age Around late 20's or early 30's when killed. Mentally hundreds of years, physically 11 or 12.
Weapon(s)
  • God-Powers

    Higurashi Daybreak Weapons

  • God's World
  • Onigari no Ryūō, 鬼狩柳桜
  • Catchphrase
  • Nano desu (〜なのです, That is so)
  • Auau (あぅあぅ)
  • First Appearance Minagoroshi-hen
    Portrayed By Yui Horie
    Number of Murders 0
    Times Killed 2

    Furude Hanyū (or simply Hanyū) is a female god that appears in Minagoroshi-hen and beyond. Hanyū's past is shrouded in mystery, but she has referred to herself as a human who became a god after she was sacrificed at a true Watanagashi ceremony centuries past to atone for the sins of others.

    Hanyū is invisible for the majority of the series to the majority of the characters. She is a sort of guardian angel to Furude Rika, whom she has followed since birth. In fact, Rika is the first person to be able to see her even though Hanyū has been in the village of Hinamizawa for centuries since her death. As such, Hanyū regards Rika as her one and only friend despite the abuse she endures from Rika occasionally.

    Contents

    Physical AppearanceEdit

    Hanyu.gif
    SlavEliseevAdded by SlavEliseev

    Hanyū's first form appears to be a floating, translucent young girl with purple hair, violet eyes, and a pair of black or dark purple horns on her head (the left one is chipped slightly). When angry or channeling her god powers, her eyes turn a glowing red. In this spirit form, she wears an outfit reminiscent of one worn by a Shinto shrine maiden, with red hakama (long, split trousers), a white haori (kimono jacket), and a pair of long, pink furisode-like sleeves.

    The second form that Hanyū takes is her visible form, which is physically identical to her ethereal form except that she can no longer float and she is solid rather than transparent. Here, on her school days, she wears a school outfit with a red plaid skirt, a short sleeved white blouse, a blue vest with a blue bow, white socks and brown shoes. During her free days, she wears a pink jumper similar to Rika's dress, differing in that the jumper has pockets, its straps are thicker and have buttons, and has no ribbon. In this form, her horns remain intact.

    Hanyū expresses a dislike for her horns in one of the TIPS, acknowledging them as ugly. In the sound novels, people are aware of her horns, and Maebara Keiichi asks her about them, thinking they are toys. Once Keiichi sees that Hanyū is sensitive about her horns, he apologizes, and the club members tease Keichii by saying he has "a horn between his legs" and reassuring Hanyū that there's nothing wrong with her. Takano Miyo, however, upon seeing them refers to Hanyū as a monster, which only further ignited Hanyū's hatred for Takano. Even though Hanyū possessed this hatred for Takano, she sacrificed her life to save Takano's in Miotsukushi-hen.

    During an early episode of the Higurashi no Naku Koro ni Kai anime, Hanyū appears in a thin-strapped pale pink sun dress. There are bows on tow of the straps and on the front of the dress, and the bottom is tinged with lace. She is only seen once in this outfit.

    PersonalityEdit

    Hanyuu personnality.jpg
    HiMizaWaAdded by HiMizaWa
    Quiet, timid, and polite, Hanyū is a sweet and innocent girl, despite her tendency to refer to herself with the pronoun "boku", which is generally reserved for boys. She is easily intimidated or frightened, and will whimper "Au au, auauau…" when upset or excited. When angry however, her eyes turn red and her voice becomes stern and mature like that of a god.

    Hanyū is extremely loving and carries a lot of guilt for the suffering she has caused Rika's friends. In addition, she often feels helpless or despairing due to her inability to influence the world around her in her spiritual form. All she feels she can do is apologize for her uselessness in protecting the ones she loves, which led to her habit of following those who are about to fall into paranoia or die and repeatedly saying "Gomen nasai" (I'm sorry). She is the source of the footsteps, voice and sense of being watched that Ryūgū Rena, Hōjō Satoshi and other characters under the influence of the Hinamizawa Syndrome notice throughout the series.

    Hanyū is also very pessimistic, often telling Rika not to get her hopes up about the newest world, as every time she does, she only ends up getting hurt and disappointed. Instead, she encourages Rika to wait patiently for a fortunate world to come. She hopes that by dispiriting Rika, she can prolong Rika's mental life-span. Despite Rika's desperate desire to escape her fate of being killed, Hanyū seems content with repeating the worlds over and over, as long as she gets to stay by Rika's side; she is secretly happy that she gets to spend more time with Rika than anyone else.

    Hanyū likes cream puffs and sweets, which she tastes through Rika, whom her senses are linked with. She also likes stalking her friends, occasionally causing their paranoia to grow stronger, and some of them outright mistake her for the vanished Satoshi, such as Keiichi in Tatarigoroshi-hen, and Sonozaki Shion in Meakashi-hen. She wants to join the club, and unbeknownst to the members, usually watches their club activities.

    Hanyū dislikes spicy food and alcohol, both of which Rika likes, and often uses to punish Hanyū when she is being annoying. Contrary to the village's image of Oyashiro-sama, Hanyū hates violence and suffering, and is devastated by the horrific acts that are committed in her name. Because of this, she expresses a strong dislike for Takano, who is only attracted to the legend of Oyashiro-sama due to its bloody history. When the topic of Oyashiro-sama arises, Hanyū is especially irritated and discouraged when she hears her name used as a name of punishment and violence, declaring numerous times that she would never curse or punish anyone through torture nor "demoning away" (however, Rika does note that Hanyū loves to stay in the Saiguden, which is full of torture tools, because according to Hanyū it makes her feel "at home"). In scenes where Takano enters the Saiguden and revels in the violent history of Onigafuchi in front of the statue of Oyashiro-sama, Hanyū becomes very upset and repeatedly stomps on the floor in agitation. Since anyone at LV3 or higher of the Hinamizawa Syndrome can sense Hanyū's presence, Tomitake Jirou (LV3) and Shion (LV4) were able to hear "a child jumping up and down on the ground" in Minagoroshi-hen, Watanagashi-hen and Meakashi-hen. The jumping noises were Hanyū stomping the floor and exclaiming, "Stop it, stop it! I would never do such a thing, I never asked anyone to torture people!"

    Past Edit

    Furude Ōka, performing the true Watanagashi ceremony on her mother.
    JadiceAdded by Jadice

    Hanyū was once known as the demon god of Onigafuchi (Hinamizawa) under her true name, Hainiryūn Ieasomūru Jieda. She travelled with her clan to the Onigafuchi Swamp and tried to coexist with the human villagers there, but the Furude priest refused to cooperate. However, Furude Riku, the heir to the Furude shrine and inventor of the nickname "Hanyū", fell in love with Hainiryūn and married her. They had a daughter named Furude Ōka, the first in a long lines of humans to carry demon blood. When the villagers of Onigafuchi became violent towards Hainiryūn's clan and could no longer tell who was a demon and who was not, they started to suspect and blame each other. Because of this, Hanyū chose to become a sacrifice to atone for the villagers sins. She asked Ōka to kill her in what became the first Watanagashi ceremony, and by doing so, she 'buried' the villager's sins along with her.

    Abilities Edit

    Hanyû stopping time
    HiMizaWaAdded by HiMizaWa
    Hanyū is a god, specifically a manifestation of what the villagers refer to as "Oyashiro-sama." As a god, she possesses several super-natural powers. The most heavily featured among these is her ability to manipulate space-time to create alternate dimensions, parallel to the original Hinamizawa, but with reversed time lines. This is the power responsible for the eternally repeating June of Showa 58. Hanyū and Rika's existences are linked in every way—if one dies, so does the other. Every time Rika dies, Hanyū uses her ability to escape whatever world they are presently in before she dies as well. The two then arrive in an in-between dimension.

    There, Rika and Hanyū watch as the tragic events following Rika's death unfold in whatever world they just left. Eventually, a new Hinamizawa will be born from Hanyū's power and join the others in the in-between dimension. Each world created is represented by a spinning fragment of light with various scenes playing out on its surfaces; these fragments are referred to as kakera (カケラ, fragment, shard). After a little time, Hanyū and Rika will enter the new world and a new story, with a new chance to prevent Rika from dying. Only Hanyū, Rika, and occasionally the other club members can ever remember the past worlds of the repetitions.

    Hanyū also has various other abilities, such as flying, intangibility, and telekinesis. She has also displayed a power to stop the flow of time momentarily to alter an event, and to see and act through the Hanyūs that have existed in the past worlds that she remembers, just as Rika can.

    In the sound novel version of Matsuribayashi-hen, Hanyū is shown to be capable of manipulating people's minds in a chosen range of field. During the Club vs. Yamainu mountain fight when Hanyū took the radio intercom, many Yamainu soldiers suddenly started hearing gruesome sounds and/or seeing strange apparitions, such as "dense fog", "a river… my dead sister is on the other side of the river", "wild bears", "the sound of a human being crushed by a train", et cetera. This ability is not shown in the anime; only Keiichi's voice-acting of a tortured soldier was shown in the anime.

    In Saikoroshi-hen, it is revealed that Hanyū's powers actually are influenced by the prayers of others, just like any other god; when Rika died in the car crash, her friends prayed that "Even if by sacrificing my own life, I wish she (Rika) would go back in time and make it so that the accident never happened", Hanyū was able to find Rika in the other world. Also in that arc, when Hanyū placed a hand on Rika's forehead, Rika's lungs felt as if all the air was being squeezed out of her.

    In Higurashi Daybreak, one of Hanyū's strongest powers is Global Time Freeze, which freezes the entire field except for herself. This power is a reference to Dio Brando, a character from JoJo's Bizarre Adventure, whose strongest ability "The World" freezes time as well. Not only that, but Hanyū also shouts "Muda muda muda muda!" just as Dio does as well (though, without the road roller).

    Live ActionEdit

    The 2008 Higurashi film is based off Onikakushi-hen.

    Hanyū does not make an official appearance in the movie, but, after Keiichi claws out his throat, the camera sets on the silhouette of Oyashiro-sama. The figure has horns sticking out of its head.

    TriviaEdit

    • Hanyū resembles Featherine Augustus Aurora from Umineko no Naku Koro ni. Certain aspects of Featherine's appearance, particularly her miko-inspired dress and crescent-shaped memory aid, are reminiscent of the clothes and horns possessed by Hanyū, though she also somewhat resembles Ōka, particularly her hairstyle and eye color. Parts of Featherine's name also allude to Hanyū—when roughly translated, the kanji that make up Hanyū's name (羽入) translate to "feather" (羽, hane) and "in" (入, iri) which, when put together, more or less make up her first name "Featherine"; in addition, the first two katakana shared by her middle and last names, "Au" (アウ), are also used by Hanyū as a catchphrase, "auau" (あぅあぅ).
    • Hanyuu really like cream puffs and fried tofu in soy
    • Hanyū's catchphrase is also the same as the one used by Touhou character Suwako Moriya, and it is not uncommon to see these two paired up in many crossover fanworks (which even sometimes depicts them harmonizing Hanyū's character song). What's notable about this pairing is that it can be considered a representation as the friendship between Touhou creator ZUN and Ryukishi07 himself (ZUN was also the one who inspired Ryukishi07 in creating the Higurashi series rather than letting the two collaborate on future Touhou games).
    • Hanyū makes an ASCII appearance during Jessica Ushiromiya's "Tsurupettan" band scene in the Umineko no Naku Koro Ni sound novels. She is shown wearing a smirk and, for unknown reasons, has a mole on her cheek.
    • What's ironic about Hanyū's weapon, the Onigari-no-Ryūō (which is said to be a gold sword modeled that looks like a drooping willow's branch) is that such swords were actually originally made and popularized in Korea, not Japan. It closely resembles, if not exactly looks like, the Seven-Branched Sword that was given to a Japanese Emperor as a gift. Tree motifs are contemporary in Korea, and just like the Onigari-no-Ryūō, it has branch-like protrusions and was once inlaid in gold. Also, because of the prongs and the lack of a handle, the blade is supposed to be very sturdy and extremely heavy, too heavy to effectively use with one hand. However, the characters who use it can wield it easily with only one hand.
    • Due to many fans watching the anime first before reading the sound novel, and how the anime did not include the part of the sound novel where Hanyū explains her horns to her classmates, there was much confusion as to why nobody could see (or why nobody cared about) Hanyū's horns, to the point where it became a running gag and was even part of the episode ending's preview for the next, (with statements such as "They're *****, right?"). Some fans even thought they were leaves in her hair. In the English fanbase, an Anonymous on 4chan's /a/ board asked why nobody could see her horns, but there was an accidental omission of the verb "see" in it, which resulted in the message "Why can't anyone her horns?" being posted. As a result, the meme "I'd her horns" was born, and fans were left to their imagination of what verbs could fill the blank.
    • Some fans have wondered why Hanyū never considered acting as a spy for Rika in the hundreds of years they spent together, since Hanyū cannot be seen by anyone in her spiritual form. Several theories have formed:
    1. Hanyū really never considered investigating Takano's activities nor questioned the reason for the Yamainu's existence in Hinamizawa.
    2. Since Hanyū acts quite childish and generally immature throughout the series, she would always choose to follow anyone she deems interesting, or watch over the club members (Rika states this in Minagoroshi-hen). As Takano is neither especially interesting nor in the club, it is unlikely that Hanyū would choose her as a target.
    3. As Hanyū has lived in the atmosphere of gods for a very long time, she is instinctively resigned to the concepts of "fate" and "miracles", and "rolling the dice"; plus, since she is content with repeating the worlds and spending time with Rika, so she finds no real reason to be in constant peril.
    4. If the speculation that the Higurashi universe was a game played by Bernkastel and Lambdadelta turns out to be true, then by the 2nd rule of Knox's Decalogue and by the fact that Higurashi is supposed to be read as a mystery that the reader must solve, Hanyū is not allowed to be placed in the game as a god and feed table-turning evidence to Rika; in order to be a piece, she must accept all human limitations and step down from the Metaworld as a god and become a person of flesh, and doing this will permanently strip her power to travel between worlds and give her only one chance to change fate. Along with this, Rika's memory of Minagoroshi-hen must be wiped, and Irie Kyōsuke's confirmation of "Plan 34" and of the tensions between Takano and "Tokyo" are necessary, to avoid conflicting with Knox's 6th. Thankfully, Rika already had prior knowledge of both since she works with Irie and has been told about "Tokyo", so Hanyū's declaration that Takano was the mastermind does not conflict with Knox's 6th. However, Matsuribayashi-hen's ending contained some very fantastical elements, including Hanyū's time stopping and Rika removing Takano's final bullet from its trajectory, so at the end of the sound novel, Ryukishi07 challenges his readers to create a "better, more perfect," Matsuribayashi-hen.

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